The fusion of Burnett’s Killer of Sheep and Shakespeare’s Hamlet is adapted for multiangled screens by Erika Kiss with original music by Olivier Tarpaga. The multidimensional adaptation from the 2D film screen subverts the conventional single fixed-point perspective and the hierarchy it enforces between spectators and the object of their fixed gaze. The immersive cineplay simulates the internal space in which the mind’s eye imaginatively transforms the 2D perception captured by the physical organ of the eyes into a volumized and dynamized space and time continuum that looks back at the mind’s eye from everywhere.
